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The fact highlights a remarkable feature of Pink Floyd’s popularity: casual fans knew of the band’s work from The Dark Side of the Moon onward more serious students of the group were familiar with the band’s 1967 debut, The Piper at the Gates of Dawn, made when Pink Floyd was led by its founder, Roger Keith ‘Syd’ Barrett.”Īs Andy Mabbett writes in his book Pink Floyd: The Music and the Mystery:īarrett’s withdrawal from music had long ago become a source of intrigue, one of the most mystifying sagas in rock, but his contribution to the group as their first singer, guitarist and songwriter was crucial to there ever being a Pink Floyd in the first place. Listeners who came to the band during their 1970s heyday, “in the years between The Dark Side of the Moon and The Final Cut,” Bill Kopp writes, “were largely unaware of what the band had done before the period…. Both enormously popular and daringly experimental, it’s hard to place them comfortably in one camp or another. The experience of their classic albums is paradoxically one of “shared solitary contemplation” their live shows are an expansion of the home listening environment, where fans first received an “education from cousins and older brothers of friends as to the seriousness (and stoner sacrament) of The Dark Side of the Moon,” as Martin Popoff writes in Pink Floyd: Album by Album.

A stadium rock band renowned for massive laser light shows and a pioneering use of quadraphonic and holophonic sound, they are also best appreciated at home - alone or with a few true fans - on a pair of high fidelity stereo speakers or headphones, under the hazy purplish-greenish glow of a blacklight poster. Approached with little prior knowledge, Pink Floyd is an enigma.